Zoey Deutch on Not Okay, her star turn in Zombieland: Double Tap, and the stress of Suite Life
, which wasn’t financed. There was a different director attached. We started working on the script a little bit, and the director had to do a show, so we hired Tanya [Wexler] and found money. And it was a wild shoot, we shot it in Toronto. I have so much love for that movie and for Tanya and for Brian [Sacca], the writer. Yeah, I loved making that movie and wearing polyester in 100-degree heat in Toronto.
AVC: And talk about relatability! That would be a guiding force with playing a character climbing out of debt. Anybody can relate to financial desperation, right?Yeah, I think so. [Peg is] very intense, though. I mean, she’s a lot. She was a lot. I loved playing her. I lost my voice three times, shooting that. I was always screaming.
AVC: So every film we’ve mentioned can be considered independent. How much do you consciously think about small- versus big-budget films in navigating your career?It’s not calculated in any way. I gravitate towards great parts, that’s what drives me. So that’s the crux of it, right? I’m just looking for parts that I connect to. It’s not to say that I’m not auditioning constantly for these bigger movies that I do want.
. It’s the total opposite of this movie. It’s a holiday rom-com. No, that wasn’t calculated. It was a feeling rather than a conscious thought, maybe.AVC: Do certain characters ever come back to inform a later role? When you’re preparing a character, are you ever going, “This reminds me of something from years ago?”Often for auditions, yes! You put a lot of work into auditions and creating characters and sometimes you get really far down the line and you know this person.
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