Thurston Moore on songs by Patti Smith, Glenn Branca, Minor Threat, and others that helped shape his avant-rock aesthetic
was a masterpiece,was great, but by and large, the Patti Smith Band was like a rocking bar band with this amazing poet as a lead singer. They were central to all that was deemed punk rock in the CBGB scene in New York. The Patti Smith Group became more well-known outside of the CGBG world when they had a hit with “Because the Night,” which Patti wrote with Bruce Springsteen. It’s a pretty straight-ahead Patti Smith–Bruce Springsteen composition.
But these kids in D.C. really embraced aspects of ground-zero punk rock, like the Ramones and the Sex Pistols. They created their own scene and music around it. They got rid of a lot of the trappings around it, like getting fucked up and being irresponsible. Minor Threat — lead by Ian MacKaye — was all about responsibility to their own scene of young people and not going out and being stupid. The whole concept of being straight edge was, “OK, we don’t drink. We don’t smoke.
As we got into the 1980s, a lot of these bands were so anti-music that they were comprised of people that never picked up instruments before they started their bands. They still created this kind of noise that was incredibly wonderful. I think as soon as they learned any aspect of rock and roll or how to boogie, they weren’t No Wave anymore. They were something else. That was the end of the No Wave scene. As soon as anyone learned to play their instrument it wasn’t No Wave anymore.
The first record he put out was “Lesson No. 1 for Electric Guitar.” He subsequently puts out “Too Many Creeps” and Liquid Liquid which becomes a huge record since Grandmaster Flash sampled their song “Cavern” for their first big smash, “White Lines.” He also put out the first record by ESG. They were these sisters from the South Bronx in a minimalist funk group. So 99 Records is super important place.
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