Movie Review: Once Upon a Time in Hollywood - In Tarantino's latest personal sandbox, he invites other in to play.
is as much a run through Tarantino’s obsessions as any of his other movies—Spaghetti Westerns, bad ’60s television, Los Angeles subculture, so, so many women’s feet—but there is an odd, almost casual generosity that I’d argue is entirely new to him. Is it possible Tarantino, at 56, has finally decided to share? This is a film that luxuriates in its indulgence, but it opens the door for us, at last lets us in.
3. We follow three characters with three stories, though it takes a while for two of the stories to separate and they all end up in the same place. There’s Rick Dalton , an old-time television star with talent but an alcohol problem whose time seems to be passing him by, symbolized by a series of villainous guest spots on TV shows with diminishing returns.
4. The greatest achievement Tarantino pulls off here is, by pure force, to yank this era back to life, to recreate it and revive it as if driven by some sort of religious mania. In a way that’s not dissimilar from, and similarly pleasant, Tarantino is attempting to correct the historical record, to recreate history the way itBasterds
did—the stakes were higher in that film, which made the fantastical historical reboot all the more satisfying—but it fits these shifting, compelling characters who find themselves passing each other in thefood chain. Dalton might be on his way down and Tate on her way up, but they’re a part of the same world nonetheless, and when their paths cross, it feels like divine justice: It feels like Tarantino at last making history lock up the way it wasto.
5. As always, the cast goes a long way. Tarantino has been accused of not giving Robbie much to say, but that has it all wrong: In the film’s best scene, she tells the story of Tate and thousands of other California dreamers without needing to say a word. Pitt has the lived-in self-regard of every LA old-timer, but, honestly, the movie belongs to DiCaprio.
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