Once Upon a Time in Hollywood .
“I guess that was a deliberate choice on your part, and I just wanted to know why that was that we don’t hear her actually speaking very much,” said Nayeri, who’d noted Robbie’s considerable talent in the preamble to her question. “Well, I just reject your hypotheses,” was Tarantino’s answer.
The audience learns about as much about Tate from these male characters as we do from Tate herself. The deepest probing of her interior life occurs when she watchesamongst civilians at a Los Angeles movie theater. After not being recognized by the box-office attendant, Tate eventually convinces the manager that she appeared in the mega-hitposter.
Referencing her co-star Brad Pitt’s description of the movie as not depicting rage toward specific people but “against a loss of innocence,” Robbie answered Nayeri’s question at Cannes by saying in part that she didn’t think her role was intended to “delve deeper” and that, “I think the tragedy ultimately was the loss of innocence and to really show those wonderful sides of her I think could be adequately done without speaking.
’s focus is not on Tate but on the fictional characters Rick Dalton and Cliff Booth . The former is a washed-up star of TV Westerns who is stumbling through his transition to movies; the latter is his stunt double. Popularity made Rick happy, the absence of it makes him sad, and without very much insight beyond the propelling properties of mass adoration, ruminating on their existence preoccupies much of the film’s runtime.
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