With ‘Country Carter,’ the Grammy-winning artist returns country music to its Black roots.
When I was growing up in a small Ohio town in the 1980s, the rules were simple. Anything sung by a White person was White people’s music. Anything sung by Black people was Black people’s music.
Back then, if you wanted to record a song that you liked, you had to wait by the radio, sometimes for hours, and press the record button on your clunky tape recorder at just the right time. in secret. I wasn’t alone: My father kept his Charley Pride tapes tucked away and would only get them out when no one else was around.
The elements of hip-hop and R&B were accepted in country music because the faces of those who adopted them were White. Because in country music, it’s not just about what is created. It’s also about who created it.
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