Every year at the Cannes Film Festival there is a critics’ favorite. Last year, it was Ryûsuke Hamaguchi’s Drive My Car, a loose adaptation of three stories from Haruki Murakami’s 2014 compendium M…
is very important to the film. First of all, it’s in the original story, although it maybe takes up less than a page, so I did expand on that. But through reading it, I realized that Haruki Murakami addedquite intentionally: Uncle Vanya’s character really reflects Kafuku’s character, and I felt that by having Kafuku say Uncle Vanya’s lines, one could interpret that as actually what Kafuku is really thinking and feeling.
DEADLINE: Speaking of which, is it true that Tōko Miura, who plays Misaki the driver, wasn’t actually able to drive when you gave her the part?: Yes, that’s true, she didn’t have a driver’s license when I first met her. I first came across her when I was casting for, my other film [of 2021]. During that, we had about an hour-long conversation, and I really felt that she was just brimming with intelligence and incredibly sincere as a person.
DEADLINE: You have quite a few films under your belt now. Do you think there are themes you return to?: Yes, I think there are themes that I keep returning to. And when I do return to them, I think there’s a part of me that thinks that I could deal with this theme better than I did the last time. But I think, fundamentally speaking, the biggest theme that really comes to mind is that I’m always very much interested in what moves people.: Probably during the preview screenings.
DEADLINE: Were you surprised that the Academy responded so strongly to your direction and your writing, as well as: First of all, I was very surprised to learn this. But I think I was also surprising myself as I was writing the script, because I had this sensation that I was writing something I had never written before.
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