Julia Louis-Dreyfus doesn’t quite mesh as an author upset that her husband doesn’t like her work.
, deals with coming to terms with the fact that the art you’ve put your heart into is unlikely to make a big splash. Beth’s first book,abuse, everyone’s always quick to specify, and she jokes to her disapproving mother that “maybe if dad hadn’t just been verbally abusive, it would have been a best seller.
Rather than bolster Beth’s crisis, these secondary storylines dilute it because what Beth’s struggling with is so specific. At the heart ofis the terrible vulnerability of making art, a process that’s intensely personal, and then releasing it to an indifferent world. Beth’s sense of betrayal on learning that Don’s been lying to her about his real opinion is accompanied by the unspoken understanding that she would have been just as crushed if he’d been honest with her from the start.
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