A woman has never won an Academy Award for cinematography. This year that could finally change.
Cinematography is the final frontier for women at the Oscars. Gendered acting categories aside, after 93 years, it is the only category that still exists for which a woman has never won an Academy Award.
"There's something way more scary about the sound of someone's footsteps on a stair ... than someone pulling a gun" -- Ari Wegner Wegner and Campion had"no real interest in guns ... we don't really find them sexy, or that they add anything." Psychological violence takes precedence over physical violence, Benedict Cumberbatch's Phil Burbank being the chief exponent.
'If you showed how brutal life can be, you'd lose the audience': Cary Joji Fukunaga reflects on 'Beasts of No Nation' Are opportunities opening up for women behind the lens? Wegner described the film industry as"a really slow-moving ship.""Even if people want to change quickly, it takes a long time for people to gain experience and be trained," she said.
The Sandringham Estate, home to royal festivities, becomes the castle the princess must escape from -- and in this case it's the prince trying to keep her there." said from the start, it's a fairytale upside down. It is a princess who makes the choice not to be a princess anymore," Mathon explainedLeft to right: Claire Mathon, Kristen Stewart as Diana and Pablo Larrain on location for "Spencer.
The subversive use of the camera lens was a move that paid dividends."At the end of the day, being close to is something sincere and, ultimately, very simple," Mathon said.Director Maggie Gyllenhaal and cinematographer Hélène Louvart on the set of "The Lost Daughter."Hélène Louvart had over 100 credits to her name before she signed on to"The Lost Daughter," Maggie Gyllenhaal's adaptation of Elena Ferrante's novel of the same name.
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