Why the Bowler Hats Were of “Paramount Importance” for Sandy Powell on ‘Living’

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Why the Bowler Hats Were of “Paramount Importance” for Sandy Powell on ‘Living’
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Designer Sandy Powell dug into images of London in the 1950s to prepare costumes for ‘Living’—and even went through her old family photos.

’s post–World War II milieu, having costumed other ’50s pieces likeBut unlike that film, which has a heightened, Douglas Sirk quality, here she aimed for verisimilitude. She dug into images of London during the period, including Cecil Beaton’s images of the sites that were bombed during the Blitz. She also asked her mother and uncles to dig out old family photos.

“It was really of paramount importance that nobody actually looked ridiculous in their bowler hat, which is why they had to be made to measure.”Oliver Hermanus’s Margaret, the lone woman in Williams’s workplace who becomes his confidante, to stand out. “There was just a lightness to her overall,” Powells says. “She literally is the ray of sunshine in that gloomy office. And then I sort of moved into using more color with her, specifically warm tones.

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