The disco aesthetic is back. “I think everyone is bursting at the seams to move. Now it’s like, ‘OK, let’s get dressed up. Let’s have a party.’”
“I Will Survive” and “Bad Girls,” the Bump and the Hustle, Studio 54 strafed with beams of color and swirling stars. After a decade of “good grooming is so square” counterculture, polished glitz returned to style and nightlife in the mid-1970s. And today, after two years of pandemic-driven caution and worry, interior design and fashion are embracing the expressive aesthetic again. “I think everyone is bursting at the seams to move. Now it’s like, ‘OK, let’s get dressed up.
The Los Angeles product designer and entrepreneur collaborated with Dutch art collective Rotganzen on a collection of signed, limited-edition objets in the form of collapsed disco balls that sit up in corners or drape over ledges like Dali’s melting watches. Her playful series of mirrored blobs, dubbed Quelle Fête, launched in October, and a new edition of 150 pieces dropped in January. Said Ms.
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