Christopher Nolan’s biopic of the “father of the atomic bomb” has trouble defining the enemy who bore the brunt of that terrible weapon.
has thus far attracted comparatively little attention from the right despite the fact that it is sympathetic to the real-life Oppenheimer’s communist leanings and features Murphy constantly talking about his character’s “left-wing” politics.
What kind of enemy were the Japanese anyway? The first third of the movie is propelled by the threat that the Nazis could develop the bomb first — and we know all about them. Oppenheimer, a Jew, takes the threat personally, his very vocation referred to derisively by Hitler as “Jew science” because of the number of Jews, famously including Albert Einstein, who specialized in quantum physics.
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