Writing for two wildly different shows—and getting Emmy nominations for both—requires some mental gymnastics. Luckily, Stefani Robinson is up for the challenge.
was my first job,” Robinson says. “I still pinch myself. Donald was very clear from the beginning that he just wanted to make a show that we were proud of, and he wasn’t so much concerned about what the audiences would think, or what a network would think—it was: ‘What do we want to say? And what do we want to do? And if it doesn’t work, it doesn’t work.’”’s second season, but that was not her last.
When I was writing it, I wanted the barbershop location to feel like it was really specific, such that the people who were watching it would be able to connect with it immediately. The barbershop—obviously being a touchstone in American Black culture—is a space that I think a lot of Black people, in particular, are familiar with. So little set design details were super important.
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