Richard Brody reviews the second week of the New York Film Festival, including “Priscilla” by Sofia Coppola, “In Our Day” by Hong Sangsoo, “Last Summer” by Catherine Breillat.
The actress, named Sangwon , is maybe forty or so but has had a long career. Recently, though, she has quit acting and is now studying something called “architectural aesthetics.” She has returned to Seoul from unspecified wanderings and is staying with her friend Jungsoo . The two women’s friendship, marked less by what they say than by all that they keep to themselves, gets a shakeup with the arrival of Sangwon’s young cousin Jisoo , an aspiring actress who wants to ask the veteran for advice.
“In Our Day” is essentially a sort of wisdom cinema, a distillation of the emotional complexity, the aphoristic brilliance, and the severity toward oneself and toward others that marks the world of admired creators—and it’s a work of paradox.
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