'For women in journalism, we often find ourselves tip-toeing a fine sartorial line between looking feminine and serious, but not stodgy,' rcallimachi says. 'For female reporters covering Islamic extremism it's on an entirely different level.'
decodes the sartorial choices made by powerful women—and explores why fashion is often on the front lines of communication. Today, we sat down with New York Times foreign correspondent Rukmini Callimachi to find out what she wears to interview the world's most dangerous terrorists.
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What the New York Times' Rukmini Callimachi Wears to Interview the World's Most Dangerous Terrorists'For women in journalism, we often find ourselves tip-toeing a fine sartorial line between looking feminine and serious, but not stodgy,' rcallimachi says. 'For female reporters covering Islamic extremism it's on an entirely different level.'
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What the New York Times' Rukmini Callimachi Wears to Interview the World's Most Dangerous Terrorists'For women in journalism, we often find ourselves tip-toeing a fine sartorial line between looking feminine and serious, but not stodgy,' rcallimachi says. 'For female reporters covering Islamic extremism it's on an entirely different level.'
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What the New York Times' Rukmini Callimachi Wears to Interview the World's Most Dangerous Terrorists'For women in journalism, we often find ourselves tip-toeing a fine sartorial line between looking feminine and serious, but not stodgy,' rcallimachi says. 'For female reporters covering Islamic extremism it's on an entirely different level.'
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What the New York Times' Rukmini Callimachi Wears to Interview the World's Most Dangerous Terrorists'For women in journalism, we often find ourselves tip-toeing a fine sartorial line between looking feminine and serious, but not stodgy,' rcallimachi says. 'For female reporters covering Islamic extremism it's on an entirely different level.'
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