James happens to star opposite her friend and former flatmate Shazad Latif in the feature exploring arranged marriages.
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“I couldn’t wait for my two brothers to watch it because I knew this would be my reigning moment in their eyes. And it was!” James says. “I am a deeply competitive human being when it comes to table tennis. During rehearsals, there was actually a ping-pong table at Working Title. So Shaz and I were playing, and Shekhar [Kapur] walked in and was like, ‘Huh. This is kind of cool. We should do a scene where you are playing table tennis.’ So it made the scene way better than it would’ve been.
Zoe is a documentary filmmaker, and while the movie isn’t too process-oriented, did you still pull bits and pieces from a number of people? It was already in the movie! But do you know what? You’re pretty much the first person that’s brought that up, which is really surreal. I thought everyone would. I guess I’m a real has-been when it comes to Disney Princesses. But it was in the script, and I couldn’t decide if it was the corniest, worst thing in the world or actually quite hilarious. But I thought it was fun to turn those fairy tales on their head and lose a bit of reverence and enjoy this modern retelling.
I’ve never been more proud, and I couldn’t wait for my two brothers to watch it because I knew this would be my reigning moment in their eyes. And it was! I am a deeply competitive human being when it comes to table tennis. I grew up playing it with my brothers, but I’ve never beaten them, which is just painful to admit. Shaz and I used to play a lot together in a pub near Angel of Rosebery Avenue, and during rehearsals, there was actually a ping-pong table at Working Title.
Well, the great thing is I don’t read reviews, so I have absolutely no idea what people have said about this movie, and I can say that hand on heart. So that’s probably a good thing. But with regards to how your choices appear on screen, that’s actually extremely difficult because you have no control as an actor. You often feel really disenfranchised from the editing and the process of when a film comes into fruition. It all happens in the edit, and it’s not just the take-to-take performance.
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