Alexandra Daddario (AADaddario) reflects on the impact that season one of HBO's TrueDetective had on her career: “I remember really fighting for that role or any role in the series because I was at a blockade at that time in my career'
has been acting on film and TV sets since she was 16 years old, and now she’s using that experience to wear a different hat — one that says producer. In, Daddario leads the way as her character, Alexis, and two friends go on a Midwestern road trip to attend a heavy-metal show. Set amidst the Satanic panic era of the 1980s, things take a deadly turn once the three friends encounter a fellow group of roving guys.
Oh, constantly! All the time. Isn’t that what teenagers do? In the film, it’s obviously a different story, but as teenagers, part of learning social structure, how to interact with members of the opposite sex and how to get people to like you is figuring out what you like, what you’re pretending to like and what other people like. It’s also figuring out how you can have the most fun, what that means and who you are.
You’ve had to convey on-screen friendship with actors you’ve only just met on plenty of occasions. Does it eventually get easier on a film like, or is it still a process that takes time no matter how many times you’ve done it? That’s an interesting question. Having started my career working on a lot of big studio films, all I found is that it’s equally hard. Getting the film made feels like a way bigger accomplishment when it’s smaller. Sometimes, you really run into financial problems in pre-production, and there’s been a couple of occasions where I was like, “I don’t even know if we’ll be getting on the plane to shoot this two days out.” So, there is that level of pride in that.
According to the Internet, you utilize the Meisner technique, which got me thinking about all the different techniques that actors employ. Excluding method actors, do actors ever butt heads on set because of their differing techniques? Yes, I can memorize really quickly. That’s all I do. I memorize my lines for all my auditions, and it’s the only muscle I really flex regularly as an adult. I can’t do math, really, but I have a whole way that I memorize lines, and I’m pretty good at it.
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