'We are told that this is a trend.' How Sandra Mujinga navigates the mixed emotions of being a Black artist on the rise:
, aliens genetically merge with humans, whose wars have ravaged the Earth, to create a new life form that’s something other than human.That’s the sort of question that circulates in the mind of Congolese-Norwegian artist Sandra Mujinga. When we met over a video call recently, she was at her studio in Oslo—and I realized we were not totally alone. Over her shoulder two draped phantom-like companions towered. They were works in progress.
But her materially innovative work, which poignantly speaks to Black representation, surveillance in society, and post-humanist and Afrofuturist ideas, has found an eager audience. Currently, she has a solo presentation at the Munch museum in Oslo, and will have solo exhibitions at Malmö Konsthall in Sweden and the Hamburger Bahnhof in Berlin later this year . Mujinga won the award last year., The Approach, London, 2021. Photo by Plastiques.
Born in the Democratic Republic of Congo, Mujinga grew up with her parents and two siblings in Oslo, which was not always easy. Sandra Mujinga’s Installation view at Munch Museum in Oslo, 2022. Photo by Ove Kvavikl. Courtesy the artist, Croy Nielsen, Vienna, and The Approach, London. The desire to free herself from societal strictures flows into her work. Across her performances and videos, the notion of invisibility appears often. Mujinga describes the term as a space of freedom. “Invisibility is also a space for rest,” she said.. Installation view of “Witch Hunt,” Kunsthal Charlottenborg, Copenhagen, 2020. Courtesy the artist, Croy Nielsen, Vienna, and The Approach, London.
She quotes the author Claudia Rankine: “Because white men can’t police their imagination, Black men are dying.”. Photo by Jens Ziehe. Courtesy the artist, Croy Nielsen, Vienna, and The Approach, London.
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