SDCC Star Trek Strange New Worlds and Lower Decks Interview-1
The Big Picture Last year, two of the best Star Trek shows came together to maximize their joint sci-fi slay with an epic crossover episode between the adult animated series Lower Decks and the episodic prequel series Strange New Worlds. However, because that episode dropped during the industry-wide writers and actors strikes, press for such a momentous fandom occasion was sadly limited.
Release Date 2019-00-00 Creator Mike McMahan Cast dawnn lewis , Gillian Vigman , Jerry O'Connell , Fred Tatasciore , Tawny Newsome , Jack Quaid , Noel Wells , Eugene Cordero Main Genre Animation Seasons 4 Franchise Star Trek Streaming Service Paramount+ Showrunner Mike McMahan Expand COLLIDER: I am a huge fan of your series, and I'm really bummed that it's ending, but I'm also grateful that you guys got to make five seasons. It's like winning a lottery to make any show.
NEWSOME: It’s like when you make a cheesecake, and then you put it in the fridge to chill. It firms, but it's not solid. You can still puncture it.O’CONNELL: It's funny, being a performer on it, I felt very satisfied with this season. I felt Mike did a great job.O’CONNELL: It doesn't at all, really. To quote Tawny, “If I didn't have a good time, I would just be quiet.
NOËL WELLS: I feel like when I first recorded the episode, we didn't know that it was the final episode, but then when we had to make some changes…WELLS: We had to make changes to some things just to adjust to that. AKIVA GOLDSMAN: Here's the thing that nobody will tell you: it was really hard. Fundamentally, it seemed like, “Well, they'll just come over.” But it turns out that they're animated, and we're real, and we have different tones in our show. The integration of their tone and our tone was a full-on job.
'Strange New Worlds' Season 3 Turns the Crew Vulcan With Strange New Worlds and the upcoming season, you did a musical episode, which was phenomenal, and you did this crossover episode. What can you tease about the upcoming season?MYERS: In addition to seeing a lot of people become Vulcans who you wouldn't expect, we get to see other people on the ship behave in ways—some of them who might actually be present today—that you've never seen them do before.
WELLS: But the great thing about animation is that you can invent anything and go anywhere, and there is no cap on what your imagination can be. When you think about the episodes you've done thus far in Strange New Worlds, what scene or sequence do you consider the toughest one to have pulled off? ROMIJN: When they pitched it, I couldn't understand how they could possibly make it work, and it totally worked. I'm gonna go with the crossover episode, as well.ROMIJN: “Ad Astra per Aspera.”
GOLDSMAN: It's not quite as simple as it sounds because we were down, so we didn't actually have a lot of time. We had the time we had, then we stopped. Everything ground to a halt, and then we picked up again six weeks out of production. Really, what was problematic, or at least was unique, is the machine is typically really running six weeks out. When you're just six weeks out, everybody's getting it, and now we were starting all over again in terms of momentum six weeks out.
GOLDSMAN: It's a Hollywood murder mystery. I think he’s said that, and if he hasn't, let us say it officially now. We are, as always, striving to create a different genre within ours, so there's a reason for it. It's not somebody having a dream, although we did once in the room have a thing about a dream and many Unas. GOLDSMAN: So, because of that, our actors get to do things that they haven't gotten to do previously.
PECK: Well, I spend probably more hours as this character than I do as Ethan during the season, so I'd be lying if I said I wasn't altered a little bit. I do take a little bit of it home with me, which isn't so bad because he's a great guy, a person of integrity, a half-man of integrity. He's very aspirational and wants to be something pure, and I think that's beautiful. So, I'll take that home.PECK: I would love to. All the time.
GOLDSMAN: Within reason, we start with all the kids being equal. So, we don't actually build with the idea of size as an organizing principle. Because remember, our show is a little different in that we rotate characters. We're an ensemble piece, but our lensing changes.
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