‘Unruly’ Review: Malou Reymann’s Powerful Story of Institutionalized Woman Is Affecting and Timely | TIFF 2022

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‘Unruly’ Review: Malou Reymann’s Powerful Story of Institutionalized Woman Is Affecting and Timely | TIFF 2022
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Even though 'Unruly,' the second film from director Malou Reymann, is set almost a century in the past, it still, unfortunately, feels very timely—especially this year. Our TIFF22 review:

Whether intentionally or not, 2022 has been full of heartbreaking reminders that in terms of equality and a woman’s agency over her own body, we have a disappointingly long way to go. Already this year, we’ve seen the staggering isolation within Audrey Diwan’s Happening, and soon, Sarah Polley’s tremendous Women Talking.

COLLIDER VIDEO OF THE DAY Many of the women at the Sprogø Women’s Institution have been there for years, growing pacified by the questionable treatment. Once such patient, Sørine , is worried about Maren’s ability to shake up things from how they’re usually done. While the other women have become compliant with Miss Nielsen , who runs the asylum, Maren only becomes more determined to break free of these restraints—a viewpoint that alters the minds of some of these patients.

RELATED: ‘Women Talking’ Review: Sarah Polley’s Captivating Conversation Has One of the Year’s Best Casts | TIFF 2022 This desperation comes through in the performance by Koppel, who at first fights against the administration head-on, then decides to take a more tactical approach to her escape. Even in this situation, she attempts to find her own individuality and voice. When Sørine says that all patients must make their own dresses, and that there are plenty of patterns to work from, Maren decides to make her own from scratch, an attempt to have some semblance of an identity even while imprisoned.

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