Tradition with a twist: Lyric’s Fiddler on the Roof offers a poor man’s set and a wealth of rich performances. | DeannaIsaacs 👇
Kosky staged the Mozart favorite as a silent film.would be part of this season’s schedule gave rise to some apprehension. His comments about previousproductions he’d found too soft and kitschy didn’t help, though he made a valid point about not wanting to romanticize conditions in the shtetls of Eastern Europe.Through 10/7: Thu-Fri 9/22-9/23 7 PM, Sat 9/24 7:30 PM, Wed-Thu 9/28-9/29 2 PM, Fri 9/30 7 PM, Sun 10/2 2 PM, Thu-Fri 10/6-10/7 7 PM, Lyric Opera House, 20 N.
Anatevka—the fictional village somewhere in the 1905 Czarist Russian empire where the dairyman Tevye ekes out a living for his wife, Golde, and their five daughters —is represented by a mountainous pile of old furniture, with a hazy image of trees as background. But a multitude of people pour out of that pile of dressers and cupboards, starting with Tevye himself, emerging from a cabinet that soon spills forth an entire singing, dancing village.
This magic cabinet is opened by a child, a modern kid wearing headphones, riding a scooter, perhaps on his way to or from a music lesson. In Kosky’s production, this boy is the fiddler—a pointed and literal connection to our time. It’s the riskiest change he makes in a story that, with its themes of sweeping social and generational change, persecution, and the plight of refugees, already has clear contemporary relevance. Like the magic cabinet, it could be Kosky’s own kitsch.
A few songs in the Jerry Bock/Sheldon Harnick score are choreographed within an inch of their lives. “Matchmaker” with its terrific lyrics comes to mind. But that’s a quibble. Overall this jam-packedis irresistibly energized, with standout dance sequences , generous use of Lyric’s wonderful chorus, and an excellent acting and singing cast headed by Steven Skybell as a richer-voiced Tevye than we’re used to, and Debbie Gravitte as his long-suffering Golde.
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