“Too Old To Die Young” and the problem of the unsupervised auteur

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“Too Old To Die Young” and the problem of the unsupervised auteur
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New platforms are giving film-makers more creative freedom. That is not always a good thing, as Nicolas Winding Refn’s 13-hour series shows

THE RISE of subscription-based channels and streaming services has enabled cinema’s biggest names to develop their own television series, not as a way to make a quick buck between passion projects, but as a way to tell ever longer and richer stories.

So much for the first 93-minute episode—or “Volume One” as Mr Refn calls it. The 97-minute second episode abandons Martin and heads down to Mexico, where Jesus meets Yaritza , a tarot-card reader who styles herself as “The High Priestess of Death”. The 76-minute third episode returns to Los Angeles, where Martin meets Viggo , a retired FBI agent, and Diana , a new-age therapist and victim-support officer.

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