'The Starling Girl' Review: Laurel Parmet Offers a Subtle Deconstruction of Faith, Love, and Self-Worth | Sundance 2023

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'The Starling Girl' Review: Laurel Parmet Offers a Subtle Deconstruction of Faith, Love, and Self-Worth | Sundance 2023
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'The Starling Girl,' from first-time director Laurel Parmet, is an intriguing and painful deconstruction of faith, love, and self-worth. Our Sundance2023 review:

One would think that, by now, coming-of-age films would have become a genre that’s been done to death — a dead horse whipped over and over again until there’s nothing left but sinew and bone. It’s a subgenre that fits under every umbrella in film, whether the protagonists are the so-called Chosen One or just a teenager struggling to survive high school.

RELATED: ‘Fancy Dance’ Review: Lily Gladstone Is Magnificent as a Hustler With a Heart of Gold | Sundance 2023 The film does lope along at a rather languid pace because of that fragility, but while pieces drag here and there, it’s impossible to take your eyes off Scanlen whenever she’s on-screen. Her pain at being confined is electric, less powerhouse, and more fork-stuck-in-a-light-socket as she wails in private, disguised by the sound of a shower or the dead of night.

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