The cinematic moment paleontologists have been waiting for has finally arrived: feathered dinosaurs. Via WIREDUK
The Dark Crystal
Brusatte checked over the design of each dinosaur to make sure it was accurate, and some tweaks were made based on the latest scientific findings: tails are stiffer, because it’s thought that vertebrae were fused together; the velociraptors’ wrists no longer sit flat like they’re playing the piano, but are turned inwards—bent to look like the precursors to wings. “There’s a lot of people who shout at us for not doing it properly, but we did it very properly,” says Jenkins.
The digital side proved a bigger technological challenge. “There’s this terrifying line in the script that says, ‘The pyroraptor leaps out of the water covered in snow and ice,’” says Vickery. “Feathers are a very difficult thing to do digitally, water is a very difficult thing to do digitally. So if you put the two together you’re in a perfect storm of technological complexity.”
“Dinosaurs are so intriguing because they were real. They’re not myth. They’re not legend. They did exist.”ILM’s visual effects artists and Nolan’s animatronics work complemented each other. For the dilophosaurus, for instance, ILM provided a computer-generated animation of how the creature walked so that the 12 puppeteers controlling it had a reference to work from. But they also recorded the movements of the puppeteers and fed those back into the digital animation for a more natural effect.
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