As the amount of premium content continues to steadily grow across the small screen, so too does the demand for casting directors to fill new roles with the best performers, be they big names or fr…
,” the continuation of the beloved “L Word” series for Showtime, authenticity in casting LGBTQ characters was key. Since these performers have been historically underrepresented in Hollywood, finding the right people meant throwing a wider net in the early search.
Sifting through so many submissions is a time-consuming process. McAlary says he had about 13 weeks to find the ensemble players who had to work as complements to the returning actors from the original series.” introduced a visually impaired character, who, casting director Josh Einsohn says, had to be played by a visually impaired actor but still “feel like one of the Pearsons.
“There’s a style and ability and a tone that needs to fit the music of the show. I think what we’re looking for is somebody who knows how to bring a different instrument to the orchestra of the show so that it sounds like a piece of a greater whole, even with a different energy to it,” Einsohn says. When an actor is well-known, such as Gwyneth Paltrow, Jessica Lange or Judith Light, who not only have a deep body of work, but also pre-existing relationships with executive producers Ryan Murphy and Brad Falchuk, it is easier to know how they can handle such intense dialogue.
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