For Extrapolations co-creator Scott Burns, it was important for the production to be as sustainable as possible, in order to reflect the show's themes: “We needed to try and make it in the way that the subject matter required of us'
plays Alpha CEO Nicholas Bilton. “He’s obviously shaped around a few different people in our consciousness right now,” says Harington. “You could pick any one of those kinds of tech billionaires and decide that’s who he’s based on. But really, he’s his own invention. It’s this idea of someone who is ultra-capitalist and very motivated by the free market and believes that they can save the world through capitalism and all of the issues that come with it.
The thread of parenthood and loss is personal to Burns, whose passion for saving humpback whales dates back to the second grade when he first helped raise money for the cause. One such world is that of adult Ezra , now living in London in the year 2066, which is explored in episode six, titled “Lola.” Facing cognitive decline, having outlived his summer heart diagnosis, Ezra relies on a technology known as “Cache Cloud” to keep his most precious memories alive. However, when the cost of the service increases after an earthquake causes the servers to crash, he’s forced to make difficult decisions about which moments to preserve.
“One of the themes of the episode is about letting go and being in the present and that conflict that we all have — whether we’re looking too much into the future or still trapped by the past — of, How can we be completely present and focused on now?” adds Chan. “I think that’s relevant to your romantic life, but also every area of your life.”
“So as far as he’s concerned, he’s trying to do right by everyone,” Harington explains. “He thinks his company is the company to help the emerging climate crisis. The trouble is that, like with anyone who spends their life at the top of a company such as that, things get distorted in his mind and money enters in an unhealthy way into his motivation.”
The episode, which stars Diggs and David Schwimmer as two practicing Jewish men with conflicting agendas for the climate-displaced, is inspired by the Coen brothers’ 2009 black comedy and is one of several ways Burns plays with various genres throughout the series. Episode four, “Face of God,” starring Edward Norton, which Burns co-wrote with novelist Dave Eggers, draws from Sidney Lumet’s 1964 Cold War thriller , written by Walter Bernstein.
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