The Gilded Age Season 2 is more fun, more focused, and more confident than ever, full of ridiculous and enjoyable rich people problems.
is not a serious television program. Don’t get me wrong—that’s not in any way an insult. In fact, it’s precisely what makes the show so great.
Not content with her social ascension at the conclusion of Season 1, Bertha Russell longs for a box at the prestigious Academy of Music. The possession of such a box is another big status symbol among New York’s moneyed elite, and it’s yet another arena dominated by the famous Mrs. Astor . But despite her successful ball, Mrs. Russell is denied entry into the ranks of the Academy’s most favored patrons—she can’t be expected to buy an orchestra ticket like someunhappy about it.
Bertha immediately sets out trying to tempt the rich and powerful of New York City to choose her organization over Mrs. Astor’s, all while insisting that’s not at all what she’s doing. Her devoted Wife Guy husband George is there to help support her with both funds and advice, and Ward McAllister is playing both sides between the two women. This opera war is almost exclusively conducted via a variety of increasingly elaborate dinners, parties, and social events, as both Mrs. Russell and Mrs.
The show also hasn’t entirely figured out how to integrate its most interesting subplot into its larger canvas. Peggy Scott and her family remain a rare depiction of Black upper-middle-class entrepreneurial success in nineteenth-century America, particularly on shows like this.
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