Filmmakers Wendy Tilby and Amanda Forbis were inspired to make The Flying Sailor from a small blurb about a sailor they found while researching the Halifax explosion of 1917. As they were captivate…
style blends 2D and 3D elements, which Forbis says created a “cartoony” opening sequence that contrasts the tragedy of the situation.'An Ostrich Told Me The World Is Fake' Director Lachlan Pendragon On Pushing Boundaries Of Stop-Motion For A "Ridiculously Meta" Animated Short: The inspiration came about 20 years ago when we happened to be in Halifax, Nova Scotia, on the east coast of Canada.
DEADLINE: The beginning starts out very comedic and cartoonish in 3D before changing from the explosion. Can you talk a bit about blending styles of animation?: We deliberately set the opening sequence up as cartoony, and the notion came to us because of the TNT. We also liked it because it so sets the beginning apart from the later body of the film. It’s to suggest that we all walk around not imagining that ill fortune is going to befall us.
We also used a combination of 2D and 3D. The town of Halifax is all built in Maya by our guy Billy Dyer, and then he also blew it up. The big smoke cloud and the debris and were all 3D and sailor was 2D. We have some live action in there as well, partly because we liked it and we thought it worked in the context of the film.
DEADLINE: That also seems exemplified in the music, as you have this peaceful sound contrasting the chaotic event.: We always wanted that contrast of the music to be beautiful and balletic, but finding the right sound was hard.We hoped that the viewer would understand that we are watching a much slowed down experience. He probably would’ve been in the air for about four or five seconds, and he’s flying for minutes at a time in our film.
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