In ways big and small, Zack Snyder’s vision has persisted across the movies made in the wake of his departure; and in an odd way, 'The Flash' achieves what the ill-fated 2017 theatrical cut of 'Justice League' couldn’t: a synthesis of light and dark.
, all felt studio-mandated—a deliberate move away from the poker-faced grandiosity of his initial trio of DC superhero pictures. That clash of sensibilities reached its nadir, of course, with the 2017 theatrical cut of, which attempted to mix the oil of Snyder’s apocalyptic bombast with the water of Joss Whedon’s Marvel-honed sitcom quip.
More likely, given that it was developed before Gunn took over, the film will function as an inconclusive conclusion, like a season finale shot before the showrunners learned that their show had been canceled.But would a non-ending be such a bad way for this flawed, periodically rousing chapter of superhero cinema to end? It would certainly be in keeping with the forever horizon of comic books, continuing for decades with no ultimate destination in mind.
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