The Fall of the House of Usher’s Most Harrowing Death Is Its Least Brutal

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The Fall of the House of Usher’s Most Harrowing Death Is Its Least Brutal
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Despite being filled with shocking and gory deaths, The Fall of the House of Usher's most devastating kill is its least brutal.

’s final episode. “Justice,” is his short answer. “And what does that look like?” Rodrick volleys back, to which Dupin follows with an assertive: “I’ll know it when I see it.”

In the beginning, you could argue that Prospero didn’t deserve it, not really—he was just a kid, too starved for affection but too gorged on money and access to have a caring bone in his body. Camille , while admittedly a terrible person and an even worse boss, was tame enough, driven by a profound hatred for her sister fostered by their father’s penchant for pitting his children against each other. Even Napoleon , while a horrible person and partner, still wasn’t as bad as his older siblings.

The Ushers died in order, youngest to oldest. In that way, Lenore should have been the first to fall as the youngest member of Rodrick’s bloodline. However, Lenore was the only Usher that Rodrick truly cared about, so Verna, in her efforts to prolong his suffering, saved her for last. She let Rodrick squirm, knowing in the back of his mind that an end to his bloodline meant an end to, including his beloved granddaughter, but never knowing when that final shoe was going to drop.

In the final episode, in a desperate plea to absolve himself of his guilt while facing down the mutilated ghosts of his children and grandchild, Rodrick says that he created a world without pain. In actuality, Rodrick Usher and his entire family did nothing but cause pain and suffering, a cosmic righting of the tides because a world without pain is impossible.

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