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skirts Lifetime TV territory but ultimately comes down on the right side of that line, thanks in large part to the anchoring performance of Connie Britton. The actor plays the widow of a man who has died in a plane crash that killed all its passengers barring one preteen boy, Edward, who becomes the focal point for the fears, hopes, and paranoias that surround the tragedy. The show traces the intersecting threads of the survivors. There’s akind of modern soapy-ness to the show.
The draw here isand playing John Stonehouse, a Labour MP who fakes his own death to avoid an espionage scandal and flees to Australia. Macfayden lines’s buffoonery with sociopathic cruelty, badly mistreating his wife and doubling down on his bad behavior along the way to near redemption. At just three episodes this is high-minded, briskly effortless entertainment.
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