Paste writers sinacolad and dchris1123 attend truefalse, the best last film festival ever
—offered a cursory examination of her unique aesthetic, the former single-shot monologues and the latter, the real gem, a character study shot as a series of sitcom-quality vignettes.
The two remain silent throughout, as if conjured ghosts, and Henderson speaks a bluesy narration over the pickings of an acoustic guitar, which together lend a sense of predestined propulsion to the events—a feeling that we are moving through a known history towards the present day.
Composite characters are crucial to the films of Lisa Steele, another filmmaker highlighted in this year’s Neither/Nor series , and also, in a different way, to, a film consisting of stories compiled from and featuring residents of Skoog’s hometown in rural Sweden, creating an almost mythical, preternatural portrait of the region. For Skoog, it was less about crafting a character through assembled stories than using those stories to convey the ethos of a place.
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