The Batman from director Matt Reeves turns Robert Pattinson into an angsty Dark Knight who can’t rise to the occasion of saving Gotham.
Bruce Wayne has been so thoroughly deconstructed and analyzed as both a fictional hero and cultural icon that it would almost be unfair to expect Matt Reeves’ The Batman to bring all that much new to the conversation. But that expectation is something Warner Bros. saddled upon The Batman by implicitly asking viewers to just kinda ignore its other recent Bat-related films, and to instead see this feature as the beginning of the franchise’s future.
But because it takes a significant amount of time for their bonds to become crucial to the story, there are long stretches where it feels like characters simply stop existing until the script remembers that they’re out there somewhere. For every one of The Batman’s good ideas — like focusing on Batman and Gordon bonding over their shared fondness of actually doing detective work — there are at least two things holding it back.
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