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essentially did for the cinematic depiction of witches, albeit on a less visible scale. Of the two comparisons, it’s Edgar Wright’s zom-com that rings more true of Iglesia’s, which is essentially a heist movie that takes a detour into cannibalistic witch country, with a side of absurdity. Full of solid performances from its Spanish cast, and infused with a quick wit and surprisingly gory streak, it’s a horror comedy that doesn’t skimp on splatter.
One gets the sense, watching this film today, that the animators wanted to depict the Queen as a classical, wart-nosed witch all along, but the film’s major plot device—that the queen is a desperate contender for “fairest of them all”—dictates that she can’t take on what might be considered herform until she comes to Snow in disguise as a hunchbacked old crone.
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