'I’m bored with the pathos of sexual relationships. Both in real life and in movies. Count me out.'
As I think is related by the film, our change today is happening faster but not necessarily for worse. Maybe we’re fumbling because of the quickened rate of change. But is there no change that’s singularly malignant and ‘ought to be reversed? Would it be possible to reverse it if it were as sweeping as the digital revolution?
HUNT: Have any of your films been provoked by questions you couldn’t answer? Have any of those questions been answered by the act of completing said film? DoASSAYAS: I do. Of course. Making a film gives you the opportunity to explore the world in dimensions you wouldn’t be aware of in your own writing. Your own fiction hadn’t taken you there. Actors give flesh, blood, and complexity to my characters in ways that always surprise me.
ASSAYAS: I don’t take seriously the notion of the monogamous couple. I have no patience for that. Neither have I any patience for the modern moralizing of sexual relationships. I’m happy with desire being complex, destructive, and both dark and playful, alternately. In any case it’s an area I don’t feel compelled to be accountable for, nor others be accountable to me.
HUNT: Ok. But I’m struggling to draw a line between the themes of contemporary change and the romantic affairs/double lives of the central characters. Is Non-Fiction saying relationships have also evolved into something non-linear, or is it saying they’ve always been this way and will remain? ASSAYAS: I like sharp cuts to end scenes, so the viewer may feel frustrated, but I am convinced it’s much better than to have him bored. Time is inside the scenes not at the opening and end.
HUNT: The film makes no judgment about the digital format. People read more than ever, but differently, and less books than ever before. They are, generally, more likely to look at a screen than a page. Do you have any personal opinions or ideas about this that weren’t appropriate for the film?
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