Taylor situates us back in her universe, using nuts and bolts she employed in previous albums.
, the first single from the album. “It’s me, hi, I’m the problem, it’s me,” Taylor rattles off in its meme-worthy hook. It is a groovy, lyrical confession of self-loathing.is about when two people realize they have fallen in love at the same moment. A hypnotic record with Lana del Rey, whose musical impact Taylor has praised, it is about love in its early, fragile stage, when one is scared it could be broken at the slightest touch.
Taylor looms largely over this album’s canvas. Listeners may be quick to label Swift as part of a posse of female singers homogenized by collaborations with Antonoff, who has worked with artists like Del Rey, Lorde, and Clairo. Yet, Swift is present in every component of the album, from words to melody.
The album’s punch is not in any representative single. In fact, each track is in synergy with each other. Taylor’s gift for thematically stringing a record together shows in, which would be considered a concept album. The base elements of each track may be at times too subtle or too strong, yet as an organic whole, it stands as a secure record, getting stronger one track after another., Taylor opened up about industry expectations: “I became the person everyone wanted me to be.
It borrows words from her speech at New York University earlier this year, where she was also awarded a Doctor of Fine Arts,. “Breathe in, breathe through, breathe deep, breathe out,” she advises. She reduces wisdom to an expression , a testament to her growth as a spokesperson of emotions — without being forcefully preachy., is the perfect conclusion to a candid record. With
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