Taylor Swift’s Eras Film Is Peak Pop Star Product

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Taylor Swift’s Eras Film Is Peak Pop Star Product
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A blockbuster concert film reveals both a megastar’s strengths and a few weaknesses.

What was initially most surprising about the event was how young my fellow moviegoers were. I had expected teenagers, clad in friendship bracelets and other costumery, all worked up in that uniquely adolescent way. Instead, the kids in the audience were mostly around 9 or 10 years old, which is to say over twenty years younger than the object of their obsession.

But one gets the suspicion that, no, this is what the Eras tour is like most nights, an object devoid of risk and improvisation. Swift is not as good an actor as she is a songwriter, and thus much of what we see in the Eras film is stilted, rigid in motion and affect. To be fair, when a production is as ornately crafted as Eras is—with elaborate sets and hydraulics, a zillion light cues and a fleet of dancers—there probably isn’t much room for ad-libbing.

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