“I always have a male production assistant because I feel like it’s important to show that men can get coffee for women,” says Lana Wilson
a phone call between the two that suggested otherwise. Swift was branded a “snake,” a persona she embraced on the markedly dark 2017 album. That year, she also endured at attack by a radio DJ who claimed she got him fired when she publicly stated that he groped her.in the end, but it’s safe to say Swift was worn out — and in need of a rebirth. Wilson caught all that on camera.
as inspiration. “She doesn’t like documentaries that are propaganda. And I was thrilled to hear that because I don’t either,” Wilson says. “In my work as a filmmaker, I’ve tried to reveal the humanity and the complexity and depth behind the headlines and the soundbites.” “I found myself really emotional about her speech on stage to the crowd on the one-year anniversary of her sexual assault trial, when she talks about how she’s lucky that people believed her,” Wilson adds, referring to a particularly stirring moment in the doc. “For a lot of people, that’s not the case. I thought that was very raw moment and extremely emotional to talk about, even though it’s in front of a crowd of tens of thousands of people.
First, she endorsed Tennessee democrats Phil Bredesen and Jim Cooper via a public post on Instagram. Then, in June of 2019, shea letter to Republican senator Lamar Alexander of Tennessee to ask for his support in passing the Equality Act when the bill reaches the U.S. Senate. She posted that letter to Instagram as well. These moments come across as particularly tense in the documentary, as not everyone, including her father, agreed with her decision to tread into politics.
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