“Working in a fancy studio is bad for me,” sza told HexPositive about working at Rick Rubin's studio. “I’ve never made anything real at Shangri-La. When you’re in Shangri-La, you’re supposed to be a star. I’m a person.'
’,” she says of her Grammy-winning pop collaboration with Doja Cat. Other spaces of inspiration include a cottage in the woods that belongs to producer Carter Lang‘s grandma, a coat closet in producer Felix Snow’s apartment and underneath a blanket in engineer Matt Cody’s basement.
SZA also decided that, to fully gestate “SOS,” she needed to shed her dependencies. First, she stopped smoking weed — “I feel so much better now that I’m not a slave to it” — and cigarettes, a habit she laughingly credits to trying Backwoods cigars in her youth. “Backwoods will make you ugly,” she says. “My teeth are too big to be yellow. Vanity stopped me from smoking, or really [doing] any drugs. I’d try them, but then I’d realize, ‘This sucks.
“I know who I am and what I bring to the table,” she says of her love life, reflecting on stinging guitar ballads like “ Spotify reported that SZA’s murder ballad was the second most-played track on the platform on Valentine’s Day. On social media, listeners questioned why SZA would echo a common thought pattern among domestic abusers.
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