Sylvester Stallone’s Gangster Show Is Not What You'd Expect

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Sylvester Stallone’s Gangster Show Is Not What You'd Expect
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In his debut small-screen role, Sylvester Stallone demonstrates that even at 75 he’s got more charisma than most. So should you SEE or SKIP “Tulsa King”? Before you decide, check out nschager's review for beastobsessed.

who were ostensibly brought aboard by Sheridan to lend the material some gangster authenticity.

Early returns, however, suggest that such contributions are relatively minimal, since the show is less a slice of authentic mob life than it is a borderline-cartoony saga about a mafioso out of water. Culture-clash goofiness is frequently the order of the day, all of it elevated by its headliner, who carries himself like the most self-possessed badass on the planet, and whose intimidating, no-nonsense attitude is punctuated by a sarcastic streak that elicits most of the early laughs.

Stallone is Dwight Manfredi, who after keeping his mouth shut in prison for 25 years, walks free and, for his loyalty and silence, is unceremoniously told by his Italian mafia godfather Pete that he’s no longer welcome in New York. His new home will instead be Tulsa, an Oklahoma metropolis that’s supposedly ripe for criminal exploitation.

And in a second-episode scene that feels tailor-made to please Sheridan’s conservative-skewing fanbase, he finishes off a rant about the country’s evolving landscape with the declaration that his pronoun is “It. As in, it can’t take this shit anymore.” As with

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