Following in the slipstream of Shudder’s surprise hit Skinamarink, Laura Moss’ birth/rebirth is a similarly non-conforming horror, this time one that prioritizes its intriguing but somewhat underde…
), meanwhile, is a sunny and popular maternity nurse who is devoted to her 6-year-old daughter Lila.
Their paths seem unlikely to connect, living, respectively, in the gloomy netherworld and bright above-ground of the same hospital, but meet they do after Lila becomes sick with a meningitis-like illness. Before Celie can make it to ER, Lila is pronounced dead, but her mother’s intuition is aroused: the precise details are sketchy, and Lila’s body is missing.
The film’s absolute defiance of genre tropes is admirable but sometimes self-defeating, and the sudden lurch intoterritory is yours to take or leave. Similarly, any lurking fears that it’s about to become a-style warning about the ethics of messing with God’s plan — ominous shots of Lila’s pouty face and scenes suggesting that her behavior is becoming dangerously erratic — quickly evaporate.
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