Bocquet also worked on Silo on Apple TV+.
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Star Wars: Episode I—The Phantom Menace and the rest of George Lucas’ prequel trilogy have enjoyed a resurgence in public sentiment in recent years. As Disney-era Star Wars projects facilitate the return of prequel stars like Ewan McGregor and Hayden Christensen, many who grew up as the prequels were being released have been quick to share their excitement.
Gavin Bocquet: I think we were just pleased to get to the end of it, and the fans seemed to like how it looked. Although George got--maybe a bit unfairly--criticized for the shows, thankfully it was always felt that they looked okay. Peter Russell, my art director, and I said after Phantom Menace, "Well, at least we've got something on our tombstones that somebody will recognize." But it's interesting. It's what George wanted to make.
George, even at that point, was already thinking about doing the prequels, but he was waiting for the digital technology to improve enough and be cheap enough, interestingly, to use. And when we started Young Indy, he was very keen that each show would have a very strong visual element, like digital images coming in. They started to use techniques that were mainly used in commercials at that time, with replication and things that were really quite expensive in a way.
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