David Farrier talks the uncomfortable experience of making his latest documentary, Mister Organ, and how tough it was to edit.
The Big Picture David Farrier loves a bizarre story. He’s got a knack for digging up the weird and the morbid, things no one’s thought to explore before — or never had the guts to.
Yeah, yeah. I was going to say, because even though it was Ponsonby, it reminded me a lot of where I live, which is small town Pennsylvania. Yeah. I'm not going to lie, it was the longest 90 minutes of this festival for me. And I mean that in a good way, I swear to God. Yeah. Because it's such a specific focus versus your other stuff, which is…I guess larger scale stuff.
And that's the thing that interests me with your work, is that you’re a character in this as much as anybody you're profiling.Yeah! I know with Dark Tourist, obviously you're a host, so that's kind of an intentional thing, but I guess that happened accidentally on Tickled and now you just kind of keep going.
It feels less sanitized, and I think the nature of what you're doing, the things you're covering, it kind of has to be a little less sanitized. Because if it is then it feels like it's not real, in a sense, if it's that sanitized. I've never edited someone that is…he's almost impossible to edit. Most people, it's as simple as maybe you chop out a pause, or you take out one sort of deviation that they've gone on. Michael will go on twenty deviations, and each of those deviations will have twenty sub deviations, and so when you cut out those fifty deviations, and you go back to his original point, it doesn't link.
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