Snail Mail's Lindsey Jordan finds healing and new strength on her second album, 'Valentine.' Read ellen_a_johnson's review:
’s only flaws. The triumphant title/opening track and excellent “Ben Franklin” are probably the most inventive songs on the album, so much so that everything else feels a bit like an afterthought. The latter has nothing to do with the bespectacled Founding Father, but the fuzzy, synth-powered song positions Jordan as a frantic moth drawn to the flame of the love she just can’t quit.
, this time attacking her ex’s ego: “Jesus died just to save you,” she deadpans. The stakes are high in “Glory” and in every song on the album, like Jordan might actually die without this person. Maybe she just has a flair for the dramatic, but the better interpretation of her all-or-nothing attitude might be simply that lovedramatic. Love is painful, particularly the obsessive kind one might encounter in one’s early 20s—a turbulent period of life if there ever was one.
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