“It’s time to develop and implement solutions that do not hinge on shaming the shameless.”
truly mattered to the powers that be, we would not in 2021 be debating the representational value of an updatedInstead, we would have a plethora of original content such as the ones suggested to our editor’sasking which Latinx stories they would have liked to have seen financed. Our writers have created a treasure trove of material that spans topics, identities, and genres, despite our equally dismal representation in the publishing complex.
We’ve seen this before with the “Latin pop explosion” of 1999. That year, the recording industry threw its weight behind a handful of performers, such as Jennifer Lopez, Ricky Martin and Christina Aguilera, and touted their success as a turning point. This was no trend, label executives insisted. According to the gatekeepers, they were pulling Latinx talent from the margins into the mainstream, and we were there to stay.
Consider Cardi B, who developed a following on social media long before she became a reality TV personality and recording artist. Through networking services such as Twitter and Instagram and membership platforms such as Patreon and OnlyFans, followers become more than consumers. They are an artist’s patrons and ambassadors, focus groups and critique partners. The art inspires them to build communities and spark movements. They themselves become creators and cultural workers.
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