Screen Rant's Toronto International Film Festival 2024 Awards

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Screen Rant's Toronto International Film Festival 2024 Awards
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Conclave Ralph Fiennes Cloud Kurosawa Emilia Perez Zoe Saldana over the Screen Rant TIFF Awards background

Screen Rant was on the ground for this year’s Toronto International Film Festival and, with ten days worth of films, premieres, special screenings, and connecting with fellow film buffs, we’ve compiled a few awards to highlight the best of the fest. Of course, TIFF handed out its own awards at the close of the festival, one of which was the people’s choice, while the others were jury-awarded prizes for the various filmmakers.

The four women at the film's center, which also includes a delicate turn from Adriana Paz, anchor Emilia Pérez, letting its unwieldy instincts flow free while grounding the film in deep but melodramatic emotion. Musical numbers about murder and transition live alongside moments of profound sadness and joyous discovery. That Audiard shoots these numbers as well as the more intimate moments is a testament to his handle on the material.

Director Coralie Fargeat Writers Coralie Fargeat Cast Demi Moore , Margaret Qualley , Dennis Quaid , Gore Abrams , Hugo Diego Garcia , Olivier Raynal , Tiffany Hofstetter , Tom Morton , Jiselle Burkhalter , Axel Baille , Oscar Lesage , Matthew Géczy , Philip Schurer Runtime 140 Minutes Release Date September 20, 2024 It's hard to overstate how brilliant Demi Moore is in The Substance.

Best Film: Anora 2nd Place: Conclave Anora 4.5 ComedyDramaRomance Anora's life takes a dramatic twist when she impulsively marries the son of a Russian oligarch, catapulting her from the streets of Brooklyn to a world of opulence and scrutiny. As her new in-laws arrive with plans to dismantle the hasty union, Anora must navigate the cultural and social chasms between her past and her present.

Biggest Surprise Of The Fest: Conclave 2nd Place: Nightbitch Conclave surpassed any expectations I had to become a TIFF favorite. The film’s synopsis is intriguing on its own, but what director Edward Berger and screenwriter Peter Straughan manage to accomplish in execution is tantalizingly suspenseful.

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