Review: Zach Theatre & Deaf Austin Theatre’s Rodgers + Hammerstein’s Cinderella

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Review: Zach Theatre & Deaf Austin Theatre’s Rodgers + Hammerstein’s Cinderella
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.zachtheatre & DeafATXTheatre offers an innovative approach to a marvelous play.

Krissy Lemon as Gabrielle, Sara Burke as Charlotte, Sandra Mae Frank as Ella, and Meredith McCall as Madame in Zach Theatre & Deaf Austin Theatre’sHer defining folktale was born during ancient antiquity and has since been turned into a medieval illuminated manuscript, opera and ballet, Brothers Grimm fairy tale, animated mid-20th century Disney film, and a live-action made-for-TV musical penned by composer Richard Rodgers and lyricist-dramatist Oscar Hammerstein II.

Currently onstage at the Zach Theatre is a thoroughly enjoyable rendition of this work, matching its charm, mastering its remarkable score , and employing impressive production values. Under Michael Baron and Brian Cheslik’s direction and innovation, this Cinderella is being played by Broadway veteran Sandra Mae Frank, who is deaf, and she’s surrounded by a very talented cast and crew of deaf and hearing artists.

To accommodate the diverse casting and audience, all the play’s text and lyrics are projected on multiple screens built into the set pieces and the theatre’s side walls, and the actors speak English, English with American Sign Language , or ASL with no vocal support. This provides access, but it also showcases the artistry and effectiveness of both forms of expression when applied to musical theatre. Also, deaf actors are assigned gifted singers to perform the vocal aspects of most songs.

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