In our roundup of the week's best offerings on streaming, VOD and physical media: an immersive diving documentary, a packaged box set of westerns.
.” People like Zecchini and Keenan don’t just test the limits of human endurance, they explore parts of our planet that most people never see, without the buffers of vehicles or heavy gear. Through films like this, we get to experience a little bit of what they do — and to understand why.
LaBute delivers a serviceable suspense movie, filled with tense scenes of the trapped women making daring escape plans that don’t always work out. The bad guys here — and they are all guys, because this is a Neil LaBute film — are armed with bows and arrows, which makes their bursts of violence all the more surprising and wince-inducing.
Cheng stages a few exciting and stylish fights, shootouts and chases; and the jumbled timeline challenges the audience to discern who’s a real true believer and who’s taking sides for pragmatic reasons. For the most part though, this movie is pretty static, consisting of men and women in fashionable clothes speaking quietly in strikingly lighted rooms. Since nearly every conversation is plot-driven, the characters don’t really develop complex personalities.
Early in the psychodrama “Mother, May I?,” the young couple Emmett and Anya do a therapy exercise. Emmett’s mother — who abandoned him when he was a child — has unexpectedly left him her estate, including a huge country house. He seems indifferent to the gift, so Anya tries a role-playing exercise where she pretends to be him, to get to the bottom of how he’s really feeling. When that doesn’t work, Emmett and Anya do mushrooms together while she playacts as his mom.
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