🎬 FilmReview Oppenheimer: Christopher Nolan’s newest film is jarring and memorable, an ode to creation and consequence. | ✍️ acmkhatib
It’s set against the backdrop of Oppenheimer’s hearing to renew his security clearance and maintain his vocal political influence on the United States’s atomic policy, a semblance of control over the further development of the weapon he helped unleash.
Visually, it’s clear to see Nolan’s love of the physicality of film, of the process of transferring concepts to a physical medium, and using the physical medium to present those ideas to the world; Nolan uses the development of the Manhattan Project to symbolize his own efforts. We’re witness to jarring visions of the physical processes Oppenheimer sees in his head, images of chaotic motion of particles, unharnessed energy with the potential to create new worlds and destroy our current one.
For a film framed around political proceedings, there’s very little interest in political analysis here. Communism is used as a backdrop, but ideology isn’t the focus, and Nolan spends little time delving into the brunt of the political conditions his characters advocate for. Narratively, it’s one of Nolan’s more straightforward efforts in recent years, which despite its linear shifts maintains a clear through line and focus.
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