Review: A Quentin Tarantino skeptic takes great pleasure in ‘Once Upon a Time … in Hollywood’

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Review: A Quentin Tarantino skeptic takes great pleasure in ‘Once Upon a Time … in Hollywood’
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The familiar Tarantino gut-clenching ultra-violence, especially against women, has hardly disappeared. 'Once Upon a Time... in Hollywood' review by KennethTuran:

, one of Tarantino’s idols, are front and center in the story line, the tone of this film owes as much to low-key, end-of-an-era Hollywood westerns like the Joel McCrea/Randolph Scott pairing in Sam Peckinpah’s “Ride the High Country.” Really.Don’t misunderstand, the familiar Tarantino gut-clenching ultra-violence, especially against women, has hardly disappeared.

With Victoria Thomas as casting director, “Once Upon a Time” is rich in involving acting across the board, including Dakota Fanning as Manson honcho Squeaky Fromme, the ageless Bruce Dern as rancher George Spahn and Margaret Qualley, a would-be nun in “Novitiate” here seen as the inescapably promiscuous Manson follower Pussycat.

Every item we see onscreen, and we see lots of them, from not one but a series of Hopalong Cassidy mugs to a copy of a “Sgt. Fury and His Howling Commandos” comic book, looks like it was carefully selected because of its closeness to the filmmaker’s heart.

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