Red: “I was surprised because kuhang-kuha n’ya and Nadine knew exactly what needed to be done. She really pulled it off, and you see that when you look at our poster and stills… where a certain ‘horror look’ is crucial.' | Rito P. Asilo/PDI
Mik’s stories have emerged from this formative upbringing, he explained to us: “I’m privileged to be a second-generation filmmaker and artist. I was exposed to cinema at a very early age because both my parents are artists .
“This country has very strong voices in the arthouse films that we make. But we also churn out very commercial romantic dramas that appeal to a wider audience. What my team is trying to do is diversify from the usual content — we try to stay in the middle — because we also want something sustainable. Para s’yang Trojan horse… so that we can ‘smuggle’ important subject matter there .”
“What we asked her to do wasn’t easy because, in horror, hindi ka palaging may kabatuhang scene partner. Here, she had to imagine ghosts or an entity. She was always facing the cameras and lights, and yet, she needed to imagine what she was supposed to see. For our part, we always enjoy interviewing Mik because while he’s very upfront about his thoughts and opinions, he goes about every question without any pretension… he’s never “pa-deep” and doesn’t mind acting his [relatively young] age.
Eventually, you aspire for something more ambitious, like ‘Birdshot,’ which got international grants. There’s really a progression. As I got older and traveled to different film festivals with my films, I became more pragmatic. I didn’t want to get stuck in my comfort zone, which isn’t bad in itself.
Oh, of course. Because I really am the shy type . It always starts out awkwardly. In fact, I remember my first time at ABS-CBN, and I had to go straight to the Penthouse … to pitch “Eerie” to Ma’am Charo, who was the CEO at the time.
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